Narratives in Art.
Welcome to "Narratives in Art," a space where I explore the stories behind my creative practice. As I navigate my journey through a master's in fine art at Central Saint Martins, this blog serves as both a reflective journal and a platform to share the evolving processes, inspirations, and challenges that shape my work. Join me in uncovering the layers of meaning and experimentation that define my art, and discover the narratives that unfold along the way.
Unit 1 Assessment.
This post reflects on my research and artistic development throughout Unit 1, exploring themes of memory, belonging, and isolation in landscape-based work. From place attachment theory to material experimentation, I examine how theory and practice inform each other, shaping my approach to ink, scale, and composition. Through critiques, exhibitions, and research into Chinese brush painting, I’ve refined my methods and deepened my understanding of how places hold meaning. Moving forward, I aim to push the balance between clarity and ambiguity, allowing for greater interpretation and connection in my work.
“Understory”.
Repurposing discarded office frames as canvases led to Understory, a piece exploring memory, balance, and belonging. Using my new Chinese painting set, I experimented with ink grinding, layering, and the interaction between paint and space. Inspired by the forests of Loch Tay and the concept of the understory, this work reflects on the haziness of memory and the unseen layers that shape our connection to place.